Logo Channel is a channel that is made for the LGBTQ community. Truly Gay friendly programming. It is still a gay friendly channel the way it was in its inception and evolution. Currently it plays classic sitcoms like Married With Children and Mama Family. Logo has not forgotten its roots in gay friendly programming as I have said and it still is but has done in many different ways.
Will and Grace and every season of RuPaul’s Drag Race is on the channel. When Logo was created it had shows like big gay comedy show and Matt and casserole to name a few.
About the Creator
Bangkok ladyboys
When you think of Bangkok, a few iconic images likely spring to mind: golden temples, bustling street markets, the smell of sizzling pad thai, and dazzling nightlife. And within that vibrant tapestry, the presence of ladyboys known in Thailand as kathoey is a visible and often misunderstood part of the cultural landscape.
By David Femboy3 days ago in Pride
What is femgirl
In today's evolving landscape of gender expression and identity, new terms continually emerge to help people describe their authentic selves. One such term gaining visibility is "femboy," and its feminine counterpart "femgirl." But what exactly does "femgirl" mean, and why is this identity significant in contemporary conversations about gender? Let’s explore the nuances, origins, and cultural context of the femgirl identity.
By David Femboy6 days ago in Pride
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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