You Might As Well Run Now
the day she came to town and never left
If he knew (truly knew) what I'm feeling, he would probably run; hell.... the thought I've had as of late...
I can't contend with her.. she's blonde, skinny and beautiful, but, more importantly she's active and social. I can't contend with her... she wins... hands down.... Every time, every round, every fucking day.
I don't feel worth the fight... I know I'm fat, I know I'm stupid, I know I'm ugly.... it doesn't matter how hard I try, I will never win. I've tried being all the things I am not, and even if I did he would never even notice anyway....
I've already lost, but I'll keep giving it my best shot.
Maybe one day he'll make me his priority, maybe one day he'll see me, maybe one day he'll love me, maybe one day I'll deserve him..... maybe... just maybe one day he'll come back to me.
But, for now, for this moment I'm pretty sure I've lost to HER.
About the Creator
Jessica Taylor
My deepest desire is to be able to help people; since I am too shy to be a professional speaker I decided that writing is my next best option. However, I do love the feel of the pen upon the page and the clicking of my keys on my keyboard.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (1)
Dude, I’ve felt this. Youre beautiful. Thanks for sharing ❤️