Letter J for jellyfish makes me hungry bring me my favourite dish
Letter K for knowledge this is where the power to defeat any challenge
Letter L for landscape so tired of the noises that is where i want to escape
Letter M for marriage when you did what was exactly your age
Letter N for nobody that is what i don't fear tell everybody
Letter O for over never ever felt in my life so super
Letter P for Pride always been my personality since i was a child
Letter Q for quiet don't make a noise it's so rainy put on my jacket
Letter R for revenge so bad feeling don't wanna live with so strange
Letter S for safety for that i seek and using all my ability
Letter T for tired of the the issues I am need to forget that i experienced
About the Creator
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More stories from el hariti adil and writers in Poets and other communities.
Don't blame me, stop blaming me
I am not aware of this spoile A pulpity of killing and a light that is not intended to be hidden. If the richness in the sky, it was exposed during the detailed veil, so I came, and she had dressed to sleep, and she said, “O God, help.”please
By el hariti adil2 years ago in Poets
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (1)
Lovely LLLLL...