Which one of us is happy
with the ways of this world?
Infinite options,
but we chose to fill graves early,
we chose maximum profits,
we chose, we voted, we designed
our own doom.
If a poem is a building,
this life we've chosen
is a nuclear bomb,
the crosshairs aimed
at our supposedly precious hometowns,
which now sit ravaged,
bleeding on Atlases, turned red on Google Maps.
We squeeze out our memories,
force feed ourselves anxiety-driven 'rest',
hustle for our own unwanted image,
fill our shelves with blank spaces
continuing, grudgingly, through
the sludge we call living -
more like surviving -
eating tasteless food
in freezing rooms
wishing for the power to feel freer
wishing that power could colourise
our greyed-out lives.
Which one of us is happy
with the ways of this world?
One in which we grind down our joy
to spend time earning peanuts
lost before we leave the door.
We forge skyless grey skies in our days in factories,
wishing, wishing, wishing
for escape.
We trudge, like zombies, towards our own emptiness,
knowing it the entire time,
watching the colours fade from life,
watching the war take over once more,
doing nothing,
not even hoping anymore,
bleeding out slowly
but refusing stitches,
the next generation
to be the real victims.
Treat yourself to a heart attack
at the expense of your shelter,
treat yourself to new trademarks
at the expense of your future.
Design your own coffin
and die while sawing its wooden sides,
choking on the sawdust,
alone and dead, but prepared.
All that you hated
is what you decided,
the bitterness spreads,
the cynicism wrecked,
backstroking through your bloodline
to point the finger at your ancestors.
About the Creator
Reece Beckett
Poetry and cultural discussion (primarily regarding film!).
Author of Portrait of a City on Fire (2020, Impspired Press). Also on Medium and Substack, with writing featured… around…


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