Transplant
An account of uprooting and rebranching

The first winter in this country
my breath looked unfamiliar,
little ghosts escaping into a sky
that didn’t know my name.
~
I walked streets of obedient trees
and clean, reflective glass,
holding coffee too sweet, too thin,
missing home:
~
thick tea in a chipped glass,
the courtyard with cracked tiles,
pigeons arguing on hot roofs,
a neighbor’s radio leaking love songs
through sunburnt walls,
a language that can curse you
and cradle you
in the same sentence.
~
Where I’m from,
joy uses both hands.
You dance, you shout,
you get dragged into circles
by women who hug hard enough
to reset your spine.
Touch is how we say
you exist, stay.
~
Here, I learned to keep my elbows in.
~
At my first summer festival,
music shook the air loose.
Sweat, beer, strangers moving
like a single animal.
A bass drop hit some old part of me
and my body answered before my brain:
I laughed, reached out,
laid my hand on the arm
of the woman beside me,
just a light touch,
a small hey,
you and me, same thunder.
~
She turned to stone under my fingers.
Her smile folded away like a knife.
“Don’t touch me,” she said,
loud enough that the people in front
pretended not to hear.
~
My hand burned all night.
I kept tucking it into my pocket
as if I could hide
the part of me that still believed
touch meant welcome
and not warning.
~
For weeks after, I walked smaller,
a plant left in its plastic pot,
roots circling themselves in apology,
learning the shape of “too much”
in a language without a word
for the kind of lonely
you feel in a crowd.
~
Then, in cramped kitchens
and overfull couches,
I found others with tongues
that carried more than one climate,
who poured tea like home
into mismatched mugs.
People who understood
why my hands spoke first.
~
We compared scars:
the joke that didn’t land,
the name mispronounced into nonsense,
the way our parents called and asked,
“Are you eating?”
instead of “Are you happy?”
~
Something loosened.
My roots stopped asking permission.
They sank into whatever ground
would hold them:
tramlines, rental carpets,
the thin strip of soil by the bus stop
where a stubborn tree
keeps blooming anyway.
~
I still think about her,
that woman at the festival,
how fast her body said no.
Some nights, I press my palm
to the cold window and feel
my grandmother’s laughter
in the bones,
my mother’s worry,
every street I’ve ever left
rising through me like sap.
~
If you ask where I’m from,
I might say “here”
to keep the conversation easy,
but the truth is under my skin:
two countries arguing quietly,
one teaching me to hold back,
one still pushing my hand forward,
~
and somewhere between them,
a small, stubborn root
refusing to let go
of the way we used to touch
just to prove
we were real.
.
About the Creator
Iris Obscura
Do I come across as crass?
Do you find me base?
Am I an intellectual?
Or an effed-up idiot savant spewing nonsense, like... *beep*
Is this even funny?
I suppose not. But, then again, why not?
Read on...
Also:
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Compelling and original writing
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Comments (2)
Your pieces have a distinct voice, point of view, and creative originality. Great piece
Wow. Just, wow… 💕