February snows
soaking the hems of all our denim,
wide-legged as our wide-eyes,
passing paper hearts
in bustling blue-lined hallways.
***
We stole warmth from radiators,
sharing snacks and swapping stories,
while the cool ones strummed guitars
and sang about burning out.
***
It was forgetting umbrellas,
water fights in the rain,
stealing dreams from stars
we were never handed.
***
It was showing up,
never showing off,
paper airplanes,
one pair of ear-phones
one more song
about kitchen parties
in a home you swore you'd build.
***
A hundred
chocolate kissed reasons
should have been enough.
They set the bar that I dropped
and never picked back up.
***
We were timeless
until the bells rang out.
About the Creator
Ellie Hoovs
Breathing life into the lost and broken. Writes to mend what fire couldn't destroy. Poetry stitched from ashes, longing, and stubborn hope.
My Poetry Collection DEMORTALIZING is out now!!!: https://a.co/d/5fqwmEb
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By Ellie HoovsExclusive • 5 months ago
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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