31.) COLLECTIVE DEBRIS,
Clearing the debris,
Acting collectively,
I get a chance to see,
Love in everybody.
Hidden under years of debris,
Smothered by fears in reality,
Fed by peers in society.
Using thoughts we choose to be,
The best versions we can see.
Being limited mentally,
Affects us collectively.
Holding us from our true ability,
It's time we clear the debris.
32.) HEART & SOUL,
Balancing my machine,
Becoming pristine.
I clean up my thoughts,
No longer distraught.
I have been self taught,
Caught up to my soul.
Life has taken its toll,
So I had to let it go.
Giving away my control,
Opening a space so they can show,
How to balance my heart and soul.
33.) COME AROUND
Bouncing around,
Thoughts making sound,
Gaining ground,
I safely found,
A place to land,
It wasn't planned.
It's in high demand,
The way I understand,
This mighty land,
I bounce around,
Making my sound,
Until you come around.
About the Creator
Keith McHugh
Good day to the wonderful soul reading this. I'm so glad to be able to share my art with so many awesome people, with such great imaginations. I hope you enjoy my little contribution. See you in the station.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (2)
Amazing beautiful I love your dog ♦️♦️♦️♦️
I bounce around too! This poem is amazing! You’re amazing! This reminded me of the poem Gazoogabloga by R.L. Steven’s! Great work!