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The Wrong Version

A Slow Erosion Threatening Vanish

By Fatal SerendipityPublished 6 months ago 2 min read
Runner-Up in Things You Can’t Say Out Loud Challenge
The Wrong Version
Photo by Reyazul Haque on Unsplash

I was supposed to say yes.

To the city, to the open mic, to the boy who called me fire.

To the late-night bus and the wrong job and the solo apartment

where I might’ve cried freely and become whole.

***

But I said no.

No, because I thought my thighs were too large

for that stage,

for that desk,

for that bed.

No, because the fear said:

They will see you.

They will know you are too much and not enough.

They will laugh at you and leave.

So I stayed where leaving wasn’t an option.

***

Depression told me I’d fail.

Anxiety told me I’d choke.

My parents said I was brave—for staying.

Brave for being good.

For folding myself into their version of safety

like linen into a drawer.

***

They said:

“Pick something secure.”

“Be careful with money.”

“Think of the kids.”

“Don’t ruin your life with dreams.”

***

So I became practical.

Efficient.

Tidy in my undoing.

A mother with full arms and a silent throat.

A wife without edges.

A body that moved through days

like it owed them something.

***

I stayed in the middle of the country

where the people are kind until they know you,

where every street says, “Be smaller,”

where even my voice feels like a scandal.

***

I had no community.

Only obligations.

Only recipes, carpools, the careful choreography

of disappearing while smiling.

***

And the whole time,

I thought I was too ugly to run.

Too fat to be seen.

Too loud to be loved.

I said no to risk,

because I thought I had to earn beauty

before I could ask for anything.

***

But I look back now—

at that photo on the roof, that dress, those eyes—

and I was gorgeous.

Radiant in a way that didn’t need fixing.

I was the girl who could have gone.

And I didn’t go.

***

Now my knees ache.

Now the mirror tells the truth,

and the truth is cruel in its timing.

Now I chase health like a penance

and forgiveness like it might arrive in the mail.

***

This isn’t self-pity.

This is evidence.

Of a life built around the wrong axis.

Of a woman raised to serve survival

and call it joy.

***

I want to say it’s not too late.

But the truth is—

some trains don’t come back.

Some doors close without slamming.

***

And some girls don’t die.

They just become

the wrong version

of who they were supposed to be.

sad poetry

About the Creator

Fatal Serendipity

Fatal Serendipity writes flash, micro, speculative and literary fiction, and poetry. Their work explores memory, impermanence, and the quiet fractures between grief, silence, connection and change. They linger in liminal spaces and moments.

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Comments (3)

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  • Dharrsheena Raja Segarran5 months ago

    Wooohooooo congratulations on your win! 🎉💖🎊🎉💖🎊

  • A. J. Schoenfeld5 months ago

    The ache in the poem was vibrant and permeated every line. The sadness and regret of becoming everything everyone else said you wanted while losing everything you were meant to be. "Some doors close without slamming, some girls don't die..." Great lines. Congratulations on a well deserved Runner -Up win!

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