
i’ve always liked crime shows
the way that everything connects at the end
the corkboard and all its hanging pieces
accomplices, suspects, times, and dates
the muted beiges and greys sliced
by lines and lines of fiery red twine
my mother ate durian growing up
i remember trembling at the sight of her childhood home
the lizards that made their ways onto walls and into beds
the summer heat that made my skin feel like syrup
the empty roads and the rows and rows of trees
we ended up staying at a hotel
i’ve never been to my dad’s hometown but
i remember eating bowls upon bowls of citrusy soup
the bone broth that warmed my chest with every sip
the lemonade that cooled the traces of morning sun
the sips of iced coffee that i snuck from my parents
we don’t go there much anymore
my memories seem to have faded since then
the leads, the potential breakthroughs, the ah-ha moments
always seem just out of reach
i never could use that red twine
from new york to malaysia
to vietnam to china
their history spans four countries
mine has settled in only one
a single pin on my ancestor’s board of connections
a missing piece that could never be placed
seven thousand miles from any other
nothing incoming or outbound
tethered in place, grounded to nowhere
beauty, fortune, luck
tradition, heritage, family
the colors of culture faded
the moment i touched
america’s blue soil
golden flecks dancing on my cheongsam
words from ancient tongues flowing from my lips
strokes of black ink flooding papers from my brush
protective jade wrapped around my wrist, hanging from my neck
i want to be painted red
i’ve always liked crime shows
the way that everything connects at the end
the world and all its individual pieces
countries, languages, cultures, and foods
i want the lines and lines of fiery red twine
to make their way back to me


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