It's frightening.
I really feel much better
however I'm yearning for a kiss.
One easy kiss
or possibly
not so straightforward.
I simply desire a person
to hold me when
the evenings are vacant.
Or possibly when I am
Away, somebody
to call me
when I'm blue.
I really feel more secure wo a person
I'm totally free to stick around, to laugh
To tease
However self-confidence factors
have actually gotten to to the
downsides given that my last
grievous partner.
I take a seat occasionally and also assume:
That the heck am I upset at?
Am I upset at the globe?
Am I upset at you?
I'm not exactly sure.
All I recognize is that the
a lot more a person likes me
the extra I despise them.
The even more a person declines me
That's when I desire them about.
I think I was doomed to lead
a boring old maiden life
Or possibly calm down
with some abundant jerk
that does not desire me.
In any case I will not obtain extremely
numerous kisses or a phone
call when I'm much
away coupled with
lonesome.
About the Creator
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (2)
This was so emotional! Loved your poem!
Loved the beautiful flow of this work!