The Minotaur’s Bride
A Labyrinth in Two Voices

They dressed her in white samite,
cold as unshed tears,
laid lilies in her lap like guilt
and called the act sincere.
_________________________
No knife between her ribs—just rope
that bit her lily wrists.
(The priests knew well a willing throat
resists the blade's harsh kiss.)
_________________________
She woke to breathing dark,
to warmth of straw and musk,
to something large and trembling there—
not fangs, but hands that shushed
_________________________
The monster kept his horns bowed low,
his tears like morning snows.
"I cannot eat what love might grow,"
he rumbled through the black.
"My teeth were made for crunching bone,
my tongue for tasting lack."
_________________________
She touched the notch between his horns
where moonlight sometimes fell:
"Then let me feed you better things—
words that hunger well."
_________________________
With stolen altar knife she wrote
where torchlight dared to dance—
"The beast who kneels before his grief
has left the beast's advance."
_________________________
He traced the letters with his claws,
each groove a subtle feast,
and found the click of 'kindness'
sweeter than thousands of slain priests.
_________________________
Now, when new victims shriek below,
they hear an answering call—
not roar, but rhyme in antlered tones
through labyrinthine hall:
_________________________
"Fear not the hands that shush forlorn,
nor tears like morning snow—
the truest monsters starve for more
than blood you've feared to show."

From the Defaced Temple Archives of : The Lost Books - "Libri Perditi"
Where even curses learn new shapes.
About the Creator
The Lost Books - "Libri Perditi"
Run your fingers along the frayed edges of history—here lie suppressed sonnets, banished ballads, love letters sealed by time. Feel the weight of prose too exquisite to survive. These words outlived their authors. Unfold them.



Comments
There are no comments for this story
Be the first to respond and start the conversation.