It glimmers
And glides,
Soft as a stolen kiss in the night,
^^
Sensually as a snake
Through the ripples
It creates,
Then carries on to find another tale.
^^
It shimmers
Shining in the sinews of the
Silent sun
That infuses
The glorious palette
With promise
With life, with renewal.
^^
Until it stops.
^^
Having heard the laughter
Of children
Playing by its shore.
In this happy world
Lie the dreams of tomorrow
Of forever.
About the Creator
Marie McGrath
Things that have saved me:
Animals
Music
Sense of Humor
Writing
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Love Letters Through Time
Context: Grace (Gráinne) Gifford, was a participant in the Irish nationalist struggle against British rule, which led to ‘The Easter Rising’, Easter Monday, 1916 in Dublin, Ireland. She was betrothed to one of the leaders, who were due to be executed the morning after being taken prisoner. Joseph and Grace were married the night before in his prison cell. Joseph (Seosamh Pluinceid)) was one of the leaders of The Rising, a signatory of the Irish Proclamation and, in death, a revered Irish hero. These are my imaginings of ‘her’ final words to him. I include a few words in Irish Gaelic as the movement that led to the rebellion favored speaking Irish, instead of English. I would wager a guess, as they were both poets and writers in the Irish republican movement that she would have chosen to marry her love of country with her love of him in expressing her devotion.
By Marie McGrathExclusive • 11 months ago
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (1)
So glad you are writing again. You have been missed. The line "Until it stops" hits a gong. I love the imagery of the silent sinews of the sun. You express a vast range of emotion in this short poem.