The Harvest Theory of Former Selves
A Poem on Memory, Identity, and Gathering the Selves We’ve Been
Viola was the first notation,
a kind of proto-syntax the body tried on
before the mind agreed to participate.
She annotated the margins with breathwork,
left small inflections in the grammar
that I continue to trip over.
Lenore followed as an afterimage,
a chiaroscuro problem the light insisted on repeating.
She never asked to be tragic.
She asked to be consequential.
The world confused the two
and called it literature.
Tiamat entered like a correction.
Continental, seismographic,
a reminder that creation begins in rupture
and refuses any lesser origin story.
The drafts bent around her
the way tectonics bend a coastline.
She did not negotiate.
She revised.
Maleficent was the argument about authorship.
If a role misrepresents you long enough,
is the misrepresentation still fictional.
She stripped the ruin of its romance,
left structure without veneer,
boundary without apology.
Academics call this clarity.
She called it Tuesday.
Alice intervened when logic became provincial.
She rearranged the room’s perspective
simply by entering it,
proved that the absurd becomes empirical
once you commit to surviving it.
A lesson the psyche resists
but the psyche needs.
And Iris—
if Iris is a conclusion,
it is one the text never meant to reach.
She assembles herself from prior drafts,
from annotations no longer visible,
from the debris field of versions
who mistook themselves
for temporary.
The harvest, if we insist on the term,
refuses the pastoral.
It resists sentiment.
It renders memory a nonissue.
What accrues is momentum—
unpunctuated, indeliberate,
the quiet physics of becoming.
I gather them because scaffolding
is not optional architecture.
I become them because taxonomy fails
when bodies evolve faster than language.
Precision, not transformation,
was always the point.
And here is the subsection no theorist cites:
the subdermal triad still at work,
unruly, anterior, unrepentant—
Furosia with her heat-drunk visions,
Locusta bent over her immaculate toxins,
Hecate triangulating consequence
before the world wakes.
They remain the understory,
older than the curated selves,
darker than the teachable ones.
What’s gathered is not their mythology.
What’s gathered is the woman tuned
to hold all of them without faltering.
Iris isn’t the name of arrival.
She’s the residue
after every prior version
finishes its explanation
and steps aside
so the real inheritance
doesn't ask permission.
About the Creator
Fatal Serendipity
Fatal Serendipity writes flash, micro, speculative and literary fiction, and poetry. Their work explores memory, impermanence, and the quiet fractures between grief, silence, connection and change. They linger in liminal spaces and moments.



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