
When the day and the daylight have dropped out,
when I have let it go by unseen,
that is when the poem finds me in its hand,
looking over my shoulder.
•
To Philam and its tiled outdoor washroom,
where we sifted and prepared the rice.
The deep ditch behind the house.
•
Capitola, the foot shower, and
the raccoons beneath the Mink House.
•
Prague, where a maimed woman
with hair the color of lightning sang opera.
•
Oh, my sweet breadcrumbs.
•
A red back porch.
•
The faded Strawberry Music Festival sweater
swaying in the salt air.
•
Sticks, succulents, a weathered plastic tiara.
•
My words, harmful and kind.
•
A desolate, dollface brigade.
•
From 30th and Scriver,
my mind makes a turn.
•
Nighttime bicycle rides and
cherry flavored chapstick.
•
Surrounded by the bad things I've done
that have made me into a good person, cut loose,
my body turns and eats itself, one by one.
•
I see inside my skins--my lives--
the versions of me spread like
spilled ink
across breasts, thighs, knees--tight,
suffocating. Blooming.
•
The wind-up bird has flown.
The dried-up well nailed shut.
I am sore and desirous
for eggs-in-a-basket, 2am ocean swims,
and Bali Shag.
•
I turn back to the afternoon and
the apples on his breath.
The moment when I placed sourgrass
on his tongue, said, chew,
and he watched me the whole time.
•
I am prolonging the alibi.
My purple boots, its heels, the scuff marks.
Even the bend in his knees as he dangled feet
from over the balcony.
•
I know the road, but my feet escape me.
I wonder if life is looking at things recede into the distance.
•
How the blood flows, waving tiny white flags of light in veins.
Fulmars winging into soft tissue.
•
The moment so small it is already disintegrating into dust,
while our bodies remain for a while yet.
About the Creator
Guia Nocon
Poet writing praise songs from the tender wreckage. Fiction writer working on The Kalibayan Project and curator of The Halazia Chronicles. I write to unravel what haunts us, heals us, and stalks us between the lines.



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