Standards
No need to give up, because anything can be an inspiration
Culmination of contentment.
Once a calligraphy of symphonic thoughts
swirling... now aimlessly searching-
endless calcification of brain cells
dried up rivers and hollow wells
deafening emptiness echoing desperation
locked behind bars of old and foregone aspirations to achieve sameness
As if that’s what leads to greatness.
similar thoughts leaking from every pore, like heinous parasites spreading tendrils through all cores of our being
Uncounted. Unfreeing.
The constant monotonous buzzing of conformity that’s beating down the pedigree of creativity
cogs draped in spider webs, unused since docility crept.
Resilient rust veils the once tenacious mind
-
Seismic clashes of brightness and matches light fires on asses.. apologies, that was callous
the excitement was tactless, but the parasitic tendrils turned into branches
a tight grip held on and yanked it
created a mighty pen with it and acted
there’s surely a story there, let’s write it
anything can be inspiration.
About the Creator
Mo Darasi
I write fiction, poetry and occasional articles about interesting topics.
Finding interesting ways to write a poem or hide messages within them seems to be my main interesting in writing now, and it's been fun
Reader insights
Nice work
Very well written. Keep up the good work!
Top insight
Heartfelt and relatable
The story invoked strong personal emotions
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (3)
So Fantastic Oh My God❤️Brilliant & Mind Blowing Your Story ❤️ Please Read My Stories and Subscribe Me
Amazing stream of consciousness.
Love this steam of consciousness so much, Mohammed! Amazing work and beautifully rich lines in here! 💕✨