Sunday morning between your thighs just before noon
Milking my words with your pussy’s flowing nectar
Every second circling slowly within your tune
Licking each lip as your only love’s collector
Lifting your left leg for the right understanding
Instilling my brain with every hidden angle
Necking your protruding clitoris expanding
Gaining momentum towards your long triangle
You let me touch your covert muliebrity
Opening wide wherever my eyes come to wreathe
Undying lust in love with sans salubrity
Smelling you silly till it is you that I breathe
In your hand you hold part of me dying slightly
Lingering as my soaked intellect learns to pray
Learning indubitably painfully tightly
Your Monday will be always skipping my Sunday
-----
Asaf Avidan - The Labyrinth Song
About the Creator
Patrick M. Ohana
A medical writer who reads and writes fiction and some nonfiction, although the latter may appear at times like the former. Most of my pieces (over 2,200) are or will be available on Shakespeare's Shoes.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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Lovee ths