Seven Snafus and a Question
A Collection of Senryu
Sexting
~~~~~
I stare, horrified;
the filthy text meant for you
got sent to your mom!
Silent But Deadly
~~~~~~~~~~~~~
Noses wrinkling
Everyone glaring my way;
they know it was me!
In-Law
~~~~~~~
I forgot to knock
and now I wish I were blind:
your mom was naked!
Premature
~~~~~~~
"This never happens;
it's just that you're so damn hot."
Our eyes will not meet
The Art of Foot-In-Mouth
~~~~~~~~~~~~~~~~~
When's the baby due?
Oh my gosh, I'm so sorry!
You look so pregnant...
From Behind
~~~~~~~~~~~
When I grabbed her ass
I thought your sister was you
How was I to know?
Waving
~~~~~
You smiled and waved
but not at me like I thought:
your friend behind me
A Conundrum
~~~~~~~~~~~
"Does my ass look fat?"
A more dangerous question
has never been asked
About the Creator
Kyle Hulbert
Kyle Hulbert is an incarcerated author in Virginia. He lacks direct internet access, but is determined to fulfill his lifelong dream of being a world-reknowned bestselling author despite any obstacles.
Keep reading
More stories from Kyle Hulbert and writers in Poets and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (4)
Hilarious bro!
So funny!
Lol, so many of these were relatable! I loved them!
Very snafu