
Childhood is a series of images, like the blue sky flashing through wide blue eyes, sitting in a blue car seat.
The tickle of creek water on my toes,
watching sunlight dance on its surface, like the amber sap that bleeds out of
maple trunks. I imagine its texture would be sticky on my small hands,
like daffodil drips, passing bunches to the man in the red convertible,
embarrassed because I can’t count his change, but not
because I’m staring at the Asian woman washing chlorine from her body in the showers.
She is beautiful, and I’m not old enough to know what that means.
The skin around her nipples is deep brown, and I wonder if mine
will look that way.
She catches me and smiles. I smile too.
Somewhere along the way people stop smiling back, like they forgot how.
When he puts his tongue in my mouth, it’s like wet sandpaper. I recoil.
I wonder where my passion is: that
multi-faceted entity of babushka dolls and crocodile heads, a presence known in a
trail of sandalwood and patchouli that permeates
encyclopedias and dented globes—but not his hair.
Am I supposed to let her go?
True love is not a feeling of security but of fear; rings don’t mean forever.
Choruses of “when did you know?!” echo over
lace and crockery. I wonder, “when did she decide?”
What future was reflected in that metal band? Was it his face,
vulnerable, expectant, and safe, shrouding the sky she forgot was blue?
About the Creator
Crystal Powell
Print and visual storyteller moonlighting under the tagline "Be a good person. Be the real deal." Professional coffee drinker. Amateur film extra. Certified EMT.
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