Mental agony, I've grasped on the survivors spirit-like prosperity
Immune to defeat, mountains rattle for my greater purpose of destiny
Being a slave to intellectual knowledge
But also being king for the insisted outcomes
Less of a tyrant to cripple my humble beginning
Meditating prayer, manifesting for accolades that'll sooner be an armor
An armor used to encounter hardships put upon the empty road I walk
The more I walk the wiser the vision becomes
I will prevail because I'm not just a student I'm a leader in the making in his Image
The only image I can't discredit nor dishonor
Living to see another day only to be better than yesterday
I will prevail
I will prevail.
About the Creator
Irvin
Exceptionally artistic when it comes to poetry, my undying passion for it for keeps me writing like always.
Reader insights
Nice work
Very well written. Keep up the good work!
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Heartfelt and relatable
The story invoked strong personal emotions
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (1)
We will primeval, Amazing