Please Remain Seated
A Stream of Consciousness Poem

Dare to disturb the universe, you peach
Startle the smooth, soporific hum
Of an ordinary conversation
In order to complain about your place
If you wish to understand your ticket
In terms of class
If the plumbing is shot, and the wiring haphazard
If the security is questionable
Especially given the neighbors
If the communal facilities are derelict
Too disgusting to be as crowded as they are
If your ticket costs increase despite the decreasing quality of your trip
You will know you are reckoning with someone
Who has never known, or has enjoyed forgetting
The material conditions of spots like yours
When, with the kind of counterfeit dignity
That can be bought
And earnest seriousness
The question is posed:
"So, why don't you just move?"
What it is like to be you
Where you sit
At this unfortunate, implausible hour
Is opaque to the party who posed that question
With better seats
In the purgatory of business, or the fool's paradise
Of first class
You will know who is seated in the same section you are
Flying through the indifferent, speckled dark
For they will express visceral solidarity
And commiserate with you
Without guile or pretense
Or patronizing irony
They will swear almost inaudibly
When they learn of your woes
Sometimes in a language you do not know
But understand
They're beside you
They will nod and bump your fist
With conviction
As they tell you of their trials in turn
With winking whispers
For they understand that modest means
On a vessel divided by craven, nihilistic avarice
More and more managed by mere machines
Inhuman
Gradually induces
Paralysis
Belts stay on for most of this trip
They insist that it's safer that way
Such that, when that pompous twit from the expensive yonder
Who could very well be your inferior
In terms of character, or intellect, or artistic virtuosity
Who is probably less qualified and experienced, without the same, dear knowledge
For which long and diligent toil is the only price
This visitor from another realm
Is undoubtedly adept at impressing the attendants
With a taste for saccharine flattery
And sunny, synthetic enthusiasm
Spiced with obedience
Who are amenable to emoluments
And like a fresh, stylish fit
Who know how to pretend
To misunderstand a bribe
When this owner of the classier ticket
Asks, thinking him or her or themselves to be a bubbling font of empathy:
"So, why don't you just move?"
You will know that your seats are worlds apart
The sphere of your liberty is smaller than your interlocutor's
You cannot move
Ends miss a meeting now and then, though not always, as things are
Where you sit
You could not summon the resources required
To edit the list of your grievances
In more luxurious digs
Without selling yourself
In some form or fashion
Just to survive
You will incur
More debts
That it will be difficult
Or impossible
To pay
It takes a melancholy, Danish heart
That mistakes hawks for handsaws
Weather permitting
To be bounded in a nutshell
And count oneself a ruler of infinite space
How tiring it is for the imagination
Convincing oneself from boarding pass to baggage carousel
That things could be worse
When they obviously ought to be better
You can't move
Do you understand what that means?
Should that be true for anyone
Who has worked like mad
And stoically suffered much
Just to be asked
"So, why don't you just move?"
You cannot move
This body, this seat on this worsening flight
Wherever it is going
This miserable, mutually mangling marriage
This farce that insists upon being read as epic poetry
And claims to deserve the name
Politics
As it turns reality
Into bad television
This albatross whose alias
Is faith
This endless, boring lecture
This memo massacred, ugly parody of work
This unhappy meeting
Without the courtesy to end
This blood-glutted, undead war
This sullied flesh, subject to ills
That only physicians and undertakers
Are on a first name basis with
Is home
For those of us
Who cannot move
It could be better
In fact, it ought to be
Remember Mahfouz: “Home is not where you are born; home is where all your attempts to escape cease.”
Don't block the exits
With your smug comfort
Some of us
Are studying to become escape artists
As we go blind
Before your very eyes
About the Creator
D. J. Reddall
I write because my time is limited and my imagination is not.



Comments (1)
This comment has been deleted
"Who know how to pretend To misunderstand a bribe" Oooo, I felt these lines were brilliant. Loved your poem!