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Outlaw Infant

A Cry in the Dark

By SUEDE the poetPublished 25 days ago 2 min read
Outlaw Infant
Photo by Casey Horner on Unsplash

He does not come with banners—

no brass, no cavalry of angels

clattering down marble steps.

He arrives like a rumor whispered

through the ribs of the world,

born to people who know how to pack light

because history never lets them stay long.

The prophets said watch the horizon,

but the horizon kept breaking its promises.

Empires rose like altars

and demanded children for proof of peace.

So hope learned to hide—

wrapped in linen, tucked into borrowed space,

breathing quietly so Rome wouldn’t hear.

The elders waited with clenched prayers,

with psalms worn thin as worry stones.

They wanted a king who would crack the sky,

a son of David with fire in his hands and

judgment against Israel’s enemies.

Instead—

a cry in the dark.

A midwife wiping blood from salvation.

This is how deliverance survives:

as an outlaw from the moment of breath.

A child born next to Migdal Eder,

Tower of the Flock—

Lamb to perish,

promise older than Pharaoh.

Already hunted.

Already dangerous.

He is born into a people

who know the sounds of captivity,

who carry exile in their genes,

who bless bread while scanning doorways.

The Messiah does not fix that, yet—

he enters it.

Isaiah said a child,

not a throne.

Micah said Bethlehem,

not Jerusalem.

The Word learned to speak

through a mouth that would later be silenced

for saying the wrong things to the right men.

Daniel’s prophecies lead the wise

to seek him, when the stars stir.

Gold and myrrh know what’s coming.

Frankincense smells like burial

before the boy can walk.

Every gift is a prophecy

wrapped as a kindness.

His mother sings—

not a lullaby, but a manifesto.

A mother with thunder rising in her throat.

She sings of thrones tipping,

of the proud slipping on their own names,

of the hungry eating first

and the rich leaving with empty hands.

She does not sing to soothe a child—

She is Israel, remembering herself out loud,

a revolution wrapped in melody,

a woman daring to believe

that God still keeps dangerous promises.

This is not the Messiah of clean hands.

He will touch lepers

and ruin dinner conversations.

He will forgive without permission,

rewrite holiness in the dust,

and keep company with people

history already wrote off.

He will belong to Israel

and refuse to stay contained by it.

He will fulfill the law

by breaking the backs of those who use it as a weapon.

He will be Jewish enough to argue with God,

and divine enough to let God bleed.

The angels call it peace,

but peace arrives like a disturbance—

like truth does.

First it unsettles.

First it costs.

Yes—

this is the Messiah.

Not crowned, but cornered.

Not safe, but saving.

An outlaw infant

teaching the world

that redemption doesn’t begin with retribution,

but with sacrifice.

It slips in quietly,

through the cracks empire forgets to seal,

and grows—

until even death

can’t arrest him.

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About the Creator

SUEDE the poet

English Teacher by Day. Poet by Scarlight. Tattooed Storyteller. Trying to make beauty out of bruises and meaning out of madness. I write at the intersection of faith, psychology, philosophy, and the human condition.

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Comments (5)

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  • Rain Dayze13 days ago

    Very powerful!

  • Some powerful words well expressed here

  • Harper Lewis25 days ago

    I just read this to my husband. He asked where your church is, wants to meet you and hear you speak.

  • Harper Lewis25 days ago

    Whoooaaa. You build the power in this so perfectly, each line packs a harder punch, and there are too many absolute gens to quote in a comment. This. Is. Amazing. An opus

  • Harper Lewis25 days ago

    This is so powerful that I’m coming back for a closer read.

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