Old Lane
A song and love letter to Newfoundland, Canada. Written and performed by Dominic Brooks and Elle Schillereff.
Old lane, old place
Creak your bones and rest away
Rows of teeth, rows of me
Little braids on a little freak
.
Rills and lights you're all I need
Unholy sight you're all I need
Salty sleep you're all I need
Underneath you're all I need
.
Never mind, never mind
What we said they're only words
Seeds of breath on the wind
Never fixing never settling in
.
Rills and lights you're all I need
Unholy sight you're all I need
Salty sleep you're all I need
Underneath you're all I need
.
You're all I need
You're all I need
About the Creator
Elle Schillereff
Canadian born, now settled on the west coast of Cymru/Wales. (she/her)
Avid writer of poetry and fiction, holistic massage therapist, advocate for women's health, collector of stray animals.
Grab a cup of tea and hang with me for a while.
Keep reading
More stories from Elle Schillereff and writers in Poets and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments
There are no comments for this story
Be the first to respond and start the conversation.