OICUR1-2 (in 3-D)
Three-Dimensional Abecedarian — Serially, Sideways, and Vertically
Apocalyptic
Brethren cheating
Cruel death effectively
Deploying excellent foresight, gradually
Evading fierce ghouls hiding insidiously
From glaring horizon in jowl'd
Gratuity, hordes involving jubilant killing
Humans in jaws kept long
In jagged, knifeblade lengths, measurable
Juggernauts keeping low, murderously needful
Kneeling, lustfully mincing naked offals
Lumbering, meandering, nibbling on people
Many, not observable, perchance quite
Noticeably, on patrol, quiet reconnaissance
Offering persons quickly retreating, sheltering
Pleading, quibbling recklessly so, tentatively
Qeued reticently, sent temporarily underneath
Racing safely to underground venues
Secretly traipsing under vegetation, walking
To unprepared victims, waxing xeric
Undertaking victuals, wanting xerophagy, yearning
Violently wielding xysters, yelling, "Zombies!"
Waylaying xanthic, yoking zealots
Xenophobic, youthful zeal
Your zero
Zone
About the Creator
Gerard DiLeo
Retired, not tired. Hippocampus, behave!
Make me rich! https://www.amazon.com/Gerard-DiLeo/e/B00JE6LL2W/
My substrack at https://substack.com/@drdileo
Keep reading
More stories from Gerard DiLeo and writers in Poets and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (1)
How the actual hell did you manage to pull this off?! You're like so freaking brilliant!!