Birthed celestial
Returned to the nebulae
Dispersed now, stardust
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My sixth entry into
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You may like to read my first entry into the ‘Sky-ku challenge’
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You may like to read my second entry into the ‘Sky-ku challenge’
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You may like to read my third entry into the ‘Sky-ku challenge’
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You may like to read my fourth entry into the ‘Sky-ku challenge’
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You may like to read my fifth entry into the ‘Sky-ku challenge’
Pauline Fountain. © 2024. All rights reserved. No part of this work may be used or reproduced without the written permission of the author.
About the Creator
Pauline Fountain
Writing and photography provide a creative outlet to reflect with meaning on my life.
My mental health? Bipolar 1 (Rapid Cycling), Complex PTSD and Functional Neurological Disorder.
My son’s gentle wisdom furnishes me with the gift of hope.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (11)
Beautifully cosmic, a poetic journey of transformation.
Beautifully written
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gorgeous work! Go Pauline!!
Beautiful words to go with such a beautiful photo! Excellent entry!
Whoaaa, this was stunning! You always write sooo beautifully! Loved your Haiku!
Pauline, I love how your words follow how human births and lives are magical, and how are existential questions are tied to the sky, stars, and the unknown. This is really beautiful!
wow so deep and beautiful! You used the word celestial in a superbly poetical way.
Really beautiful! Well written.. ☺️
This is very well done.
Oh this is beautiful and very poignant, Pauline. I love how much elegance you've given the cyclical nature of stars and do see the connection with this and my own, thank you for sharing it with me! I've also subscribed, as I didn't know I wasn't. Fixed anyway now, so I'll be able to check out more of your work in time!