Ohh, Comfort and Bliss,
I just cant get enough of this.
The most supreme sense of relaxation,
Comes through my meditation.
Come follow me, Ill help you see,
The seven seals that hold the key.
It allows us the release,
Of whole new energies,
Showing so vibrantly,
As you're sitting there silently.
Precious breath inside of me,
I resign.
----------------------
Exploring the complex design,
Of our mind, we find,
Our connection to the divine.
And start to align,
The energy centers down our spine.
Connecting our ROOTS,
Embracing the SACRAL Reunion,
An energy communion.
As SOLAR explosions,
Fills my HEART with emotions.
Singing our devotions,
Allows the THROAT to open.
The THIRD EYE complies,
Truths begin to rise,
As you realize,
your coming to the CROWN,
Enlightened now.
-----------
A peaceful sound,
No thoughts running around.
I'm now balance bound,
Time to slide back down,
Placing our feet upon the ground.
Seven seals now spinning 'round,
Energy spread evenly all around.
As comfort and harmony set in,
You feel this sensation,
A sense of peace,
Relaxation.
A higher vibration,
as you return from,
Meditation.
About the Creator
Keith McHugh
Good day to the wonderful soul reading this. I'm so glad to be able to share my art with so many awesome people, with such great imaginations. I hope you enjoy my little contribution. See you in the station.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (1)
Hi Keith, I have subscribed and this is the first of yours that I have read. I do believe that anyone can write poetry (lots believe they cant) but you have chosen some great lines in this, and I enjoyed it, Will check more later. If you are on Facebook, join us in Vocal+Assist a Vocal group to give you a bigger audience