Matins
Midnight's Liturgy
Always
Before the dawn, the lamplight
Constellations are strung, and the night wind’s
Diminuendo already sung at
Evensong. Vespers gave me
Finality, the day’s long liturgy resolved.
Gnostic residue coalesced to dreaming
Hours of mystic somnolence.
I should be asleep, I know.
Just silent prayer voiced in slow repose
Kyrie,
(Lord have Mercy), Kyrie.
My eyes are restless, though.
Night’s stellar lamps sing softly
Of igneous, liquid black, and
Pull a wayward mind into her patchwork
Quilt.
Righteous souls sleep soundly, but
Sleep is just a prayer without a voice.
The liminal space between midnight and the dawn,
Under the Magellanic bands that chant
Verse and chorus to their faithful few—
Watching for
Xanthic harbingers of dawn.
Yet I sing psalms offered by
Zephyrs of a Sun reborn.
About the Creator
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (4)
I love how this flows, and you almost don’t notice the constraint of the letters! “Pull a wayward mind into her patchwork” is probably my favourite line. The imagery you create is wonderful, and I really like the majestic, peaceful tone.
Beautiful
Impressive! Your word choice and imagery is captivating! Congrats!
A great and interesting read and submission to the Abecedarian challenge! Please check mine out if you get the chance ♥️