In Costumes of Symbolic Dolls that Dance
A Sisterhood of Woman like a spell was Cast
In a setting of tents & laughter
Transpired a blending of Cultures,
past & present Gather
For the group of friends they pose for
a picture
With magazine in hands they seemed like sisters
The wheat Maiden holds her totem high
Behind her cotton mask that blends her persona with the sky
Embracing the fall season of harvest in full bloom
The Marigold Maidens stand to capture the moment with garments woven, Sisters of the Moon
A Magic memory of a tapestry in time
Unraveling like ages of imported Wine
I drank the Spirit that September Day
With the people who enjoy festivals & do pray
With a gental pond surrounded by
gayity & treets in warm wheather
I wish it could have lasted forever
About the Creator
Ocusan M
I write in a surrealistic style learning new realities as i researched Quantum physics in Quantum Dreaming where the man had a Quantum computer in his home that could see into the future.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments
There are no comments for this story
Be the first to respond and start the conversation.