sickened by how effortlessly
how indifferently
one day stitches it’s weary self
seamlessly
onto another.
so odd.
disgusted by the lack of respect shown
as today proceeds to offer itself zero credit
and chooses to disappear
as pointless background murmur of tommorow.
so bizarre.
maybe a day will come where it understands
the whole importance of its entirety
where it’s divine
in its powerful knowledge
it’s what gives birth to every past & new second.
yet
today, hasn’t got it yet.
today is bedridden with my insomnia
as I wander my bedroom, fussing
over the today
after the particular day
that I’m currently experiencing.
im infected with time, like it’s a virus
it can’t be chased, yet I’m always busy
chasing it.
About the Creator
Emily Serena
truly, my dharma (life purpose) is to write. although death is an interesting means of a beggining to me rather than an end, I still choose to spend my moments as Emily, in this physical dimension, in a revolution of poetry & silent speech
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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