4th dimensional passages
find us another hero
bled in a rain of ambient fractals
error: cannot divide by zero
spaces that lay between the seconds
or that are sometimes left behind
stand resolute and silent
theirs is not to remind
the spaces the voids
each second a gap
a tear in this fabric
will allow it to flap
each waft of this web
each harrowing draft
won’t be felt until reckoning
cannot be felt until passed
a oneness connects us
from the stuff of stars
we are made
every single one of us is god
both in light
and in darkest shade
a birthright denied
everything; here it all beckons
everything lives everything dies
in the gaps that exist between seconds
time is a construct
a tool of control
in the gaps between seconds
the sum is the whole
the gaps are the answer
for in them you'll see
everything and nothing
for in them you’re free
the gaps are the riddle
The question the key
everything’s nothing
close your eyes you will see
About the Creator
Bren
"It's just a token of my extreme!" - Frank Zappa
"Cause it's all in the heat of the moment It's all in the pain!!!" - Devin Townsend
Centre Stage with the wonderful Heather Hubler
I'm writing it out not acting in doubt!
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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