Many versions of me appear everyday,
I'm living several realities this way.
There are many parts that want to play,
A galaxy full of life feels what I say.
Staying connected by design,
Leaving Divine dreams behind.
Little bread crumbs for me to find,
A complex story time has defined.
A mansion of rooms within my mind,
Everyday a new reality i designed.
Aligned with the Divine I climb,
A ladder of lessons evolving me.
Revolving around seeing what's to be,
Carrying me through eternity.
It's energy I see in everything,
Vibrating at its own frequency.
Many versions await discovery,
Some are in recovery.
So many Me's I get to play,
Waking up different everyday.
Yesterdays shadow may affect me today,
Just another version I get to play.
Aware of my present creating the way,
Being the best version of the part I play.
About the Creator
Keith McHugh
Good day to the wonderful soul reading this. I'm so glad to be able to share my art with so many awesome people, with such great imaginations. I hope you enjoy my little contribution. See you in the station.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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