Georgia
on suburban intergenerational trauma and the forces that shape it

Let's talk about the last time I saw
Red clay stuck to my shoes, it
(and the safety word is whiskey)
Was when we took a walk down to the river
Where I held my hand to heart
And marveled at all the ways
A place can change and remain
Utterly the same with
Only the memories of wet sneakers and
Dry socks in my pockets to
Mark the passage of a sandbar which somehow
Once felt like my salvation but has now
Patiently been scattered from existence by
A thousand day’s deposits
Of choking humidity sighing gently
Over a blanket-fort canopy of kudzu.
-
Georgia was once an ocean
And the air will not forget it -
For as long as I sit on the steps sipping PBR, it will
Rock on the porch and prattle to my skin about our
Spring mornings weeping like a fresh-cut cucumber
Which Momma has saved for later
In the fruit bowl with the bananas and a lime,
Which she says still have some life in them, then
Cast iron summer air waiting on a woodstove sky
For the deep roll of thunder and crickets
Thrumming expectantly in the dim evening, shrill seance
Raising damp ghosts from the baking tennis courts,
Which wander to the crabgrass to rest their cooling bones
In dawn’s light, where I will draw dew mandalas in the grass
On my walk to the bus breathing apple crisp fall
And sing quietly to the sleeping dogwoods
Until my song drops frozen from the air, my bellows
Pumping weary crystal spirits over sweetgum caltrops -
Gingerbread coronas frosted with winter’s white fingers.
Anyway - we stood there, Dad and I, on the bank of the river
-
In the prison bar shade of the pavilion's still fresh-looking
Pine beams pregnant with whatever it takes
To shield us indefinitely from the unrelenting sun,
Unlike the old bench which died crumbling on this hill
Under the fervent lashes of teenage hearts -
A lost record of passionate neglect -
As though the sawing of cicadas had worked
Their way through its burnished wood bones
With an ocean of cackling - their names and
Their promises scattered as thoroughly as southern stars,
As far beyond recollection as the ashes of burned leaves, as
Irrecoverable as my lost sandbank, that only
I see there, next to my tiny footprints leading
Into the ribbons of black silt slick with rainbows deglazed
From the skillet tarmac which make the water
Taste like old blood on our young tongues.
-
Anyway - meanwhile Dad tells a related story and
Momma stands off to the side eyeballing him just
How a hen eyeballs a dog ‘cause she
Isn't sure she's not being made a game of.
Momma hears echoes calling from every valley shadow
Of an entire life left on the other end of a
White-knuckled phone walking with calm certainty away
Until its knotted and twisted curling cable snaps and leaves it void
Of everything, except which that man did not care to take -
Apparently just me in her arms and the granite heart of her dignity -
A Stone Mountain polished smooth by eons of her glacial tears
To carve out glorious injustices upon, to rise and rise again.
Whereas when life gives Dad lemons I think
He smells an old fashioned on his father's breath asking
If he wants to know what's wrong
And Pop told me Dad said, ‘no,’ because
He said he thought, ‘it would only make me sad like you,’
Which might have been when he wallpapered over the water stains
In his eyes so he could squint into the rising and setting sun, presumably
To help us chart our course, to avoid toll roads at any cost.
-
Momma confides later that
If she seemed off it was only that
She was hearing the distant screams of
Our neighbor when she found her daughter gently
Swinging from those sturdy pine beams - so perhaps a sound
Can cut bone with time, after all, my sternum snaps with the recollection
Of Momma’s sharp tutting to the kitchen windowpane, watching her
Small form whispering over the pinestraw after school
Darting through our yard to get to the park, carrying
The tangy aroma of hot, damp mulch on her heels - tut - which
Crush the annuals as she ducks the fists of crepe myrtles - tut -
Which will leave dead spots - tut - where the yard people just
Blanketed the cracked, rusty earth with this year's
Hopeful generation of grass seeds which wither and struggle
To make a home for themselves in the ever-sinking pit where the depleted,
Leather-brown builders buried their Gatorade bottles and Doritos bags -
-
Tut - I know how my mother feels about sneaky children. How that
Sound now divests some part of me, knowing the volume of pain
A child can gather in such manicured gardens of aspiration. How it drives
My small shadow into the crack in the driveway which yawns for that darkness -
Eager to follow and rest my own head down by the river with her and
Eager to disappear forever into the only wild our feet alone could reach -
Where I could lie on the bench, gaze clear to Orion through tulip poplars
Waving gently in the warm night breeze, and find some small peace,
And where she would gaze up through these pine prison bars,
Which sobers my heart to know how little hope
I would tolerate, and how it might have been me first
If only there had been shade to stand under
If only my sanctuary had been just
That much more deafeningly meagre with
Its performance of comfort
And its appearance of beauty
(whiskey)
About the Creator
Jami Tosto
I'm a trans artist blacksmith in rural northern Michigan. I'm cultural fracking fluid expanding between the white crosses and red flags surrounding me. I explore wild places with my incomparable partner, Casey, and sweet pup, Yuka.



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