send Semtex...
sent
wait
used to be a vandal
used to be a goth
now just an insect
quite possibly a moth
the sound of breaking glass
the shrill shatter that matters
the splintered flash splatter
the splintered mirrors in tatters
exist only in inert gasses
tempered in a fiery hell
expelled by the masses
the light
the bright
the point of flash
the love of bacon
and other things rash
save a quiet me
for those quiet times
all whilst revelling
in the simplicity
of easy go to rhymes
idiot dribble
flecks pursed lips
pursuing quips
future drips
inane drivel
pummels organic walls
from the inside
hot ghost ass and turmeric
shot ab flash and hooning
everyone's gooning or mooning
booming zed zooming millennia
one plus one
will always be two
it may be wrong
and also true
i don't make the rules
and neither do you
either way
put it all back
bets are hedged
the bled,
belled and edged
tight corners are wedged
waxheads are skegs
see more
C4
Seymour?
send...
sending...
sent
bang
About the Creator
Bren
"It's just a token of my extreme!" - Frank Zappa
"Cause it's all in the heat of the moment It's all in the pain!!!" - Devin Townsend
Centre Stage with the wonderful Heather Hubler
I'm writing it out not acting in doubt!
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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