
Now he’s preachin’ ‘bout bein’ dramatic,
bitchin’ and moanin’ when he knows the real fact is
his decision to leave was slightly problematic.
His falsified truths were melodramatic
lies, so strong
almost visibly prismatic.
His regret manifested psychosomatic
pains in that roughened face,
which, once charismatic,
now sits
unaffected
and
emotionally static.
His rejection of love evolved systematically,
a characteristic,
to them all,
that remained enigmatic.
The father’s perpetually idiosyncratic
denial of bliss signaled patterns
symptomatic
of self-loathing and hate:
really,
the only axiomatic
truths
he exudes.
Now,
who’d he say was dramatic?


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