Ladybird Ladybird Ladybird
Watch me front crawl through my cranium!
Ladybird Ladybird Ladybird
My epidermis so purpureous
My palpebra puckered, my nose scrunched at my septum
Got too many teeth, but I'm happy despite my hyperdontia
Got a singularity instead of an esophagus
Does that disturb you?
Why're you disturbed?
Donkeys do it
Dolphins do it
Apes do it
Aren't you an ape?
I'm not your orangutan, let's do it together
LET'S GET LOUD!
LET IT ALL OUT TOGETHER
GOT TOO MANY TEETH, BUT I DON'T BITE WITH ANY OF THEM
COME ON, FRONT CRAWL THROUGH YOUR CRANIUM WITH ME
PUCKER YOUR PALPEBRA, SCRUNCH YOUR NOSE AT YOUR SEPTUM; THAT'S YOUR SINGULARITY, NOT YOUR ESOPHAGUS
BE HAPPY! BE HAPPY! BE HAPPY!
About the Creator
Wen Xiaosheng
I'm a mad scientist - I mean, film critic and aspiring author who enjoys experimenting with multiple genres. If a vial of villains, a pinch of psychology, and a sprinkle of social commentary sound like your cup of tea, give me a shot.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (2)
Yue Minjun, 2023
I read this more than once seems very crazy and silly to me 🤣🤣🤣