Deception holds history as a "valid" source for its debate against Wisdom's certainty of where Harmony resides.
Deception uses lies and overextends its hand to Ambition as an ally for its time.
Ambition realizes the lie is rooted in truth, attempting to cover the shell of factual seeding.
Feet well planted in solidarity reflected through progression.
A concept is beholden as folded cards stuffed into a broken frame.
How callous could Vanity grow when the " stage " hasn't set a show?
Performance and presentation, where the dedication lived peacefully with Ambition, received calls from its old grounds.
Preemptive is the heart set to forgive what was "stolen" from it.
Blood-soaked dreams awoke the unsettled wanderer within it.
A dream, set in stone without hope, his heart mirrored gravel.
Pride trampled on; a dig at his humility unsettled him of his adapting versatility.
" A purchase won't claim victory. " says Wisdom, appealing to morality, while loopholes are sought sinisterly by the temptress that is the world to the flesh.
Stillness method: Endure repeatedly, breathe in, breathe out, until uncertain convictions pass.
Truth persists in objectivity and is what will always last.
Masquerades and charades?
Is your purpose the stage?
Desire answers beyond your current questions?
Take the initiative, step boldly, and be unafraid.
About the Creator
OneWithPen
I write fiction and poetry focused on inner conflict, fractured relationships, and the quiet moments where people confront who they are. Read at your own pace. Stay if something resonates.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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