In Crime City, the streets are dark and grim
Where shadows dance and dreams are faint
Police sirens wail, mobs roam
Too bad this city has no place to call home
The streets are lined with danger, and so are the alleys
Where all despair and loss come from
Drug dealers happily smuggle their wares
And victims fall prey to their misery
The heart of the city beats like a deadly bass
Where the guilty flourish and the innocent decline
Lawless streets, breeding grounds for crime
Where are the good times when the wicked prosper
But during this confusion and pain
A ray of hope, a ray of gain
For those seeking justice, a chance to begin
Heal wounds and mend sin
So let's rise and take a stand
Against the crime and evil in this land
Let's fight for what's right and be strong
Bring hope back to the crime city where we belong
About the Creator
Ahamed Thousif
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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