Corporations Are People
The struggle to be heard as a Woman in servitude
Ideas are not unique!
They are a collective!
Like a wave, like a trend,
depending deeply on your perspective.
Most forget to see,
the most important part of an idea,
is not the idea itself,
but the lens through which it is seen.
And when an idea crashes the hull,
and most of us are forced to row,
only one person steers the ship!
Depending on all the ideas below.
The captain knows how to profit.
The company knows how to deliver.
But it’s the crew that are below,
who are left to cry and shiver.
Without all these ideas,
these memories, these people.
The company no longer profits,
and that is how you defeat evil.
About the Creator
Sara Elizabeth Joyce
Sara Elizabeth Joyce has lived many lives: from cyber security engineer to Senate candidate, from writer to filmmaker, resin artist to set builder. A cat-loving, lesbian trans woman, target shooter, and passionate advocate for the homeless.
Keep reading
More stories from Sara Elizabeth Joyce and writers in Poets and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments
There are no comments for this story
Be the first to respond and start the conversation.