Every kiss
Every whisper against my skin
Feels like electricity
Fire burning in my veins
Setting me alight
Desire
Sting of your hands to my skin
Caress of your tongue
Seducing me
~
Your voice
Warmth spilled down my throat
I take you in
Spill yourself inside of me
~
Brand my skin with your name
Make me burn for you
I’m craving your light
Your life force to make me feel alive again
I’m begging for your love
Begging to see me
~
Dear God
I’ll die from the ecstasy
You’ve committed to me
Take me
Make me cry out your name
Even as you voice slithers over my breasts
Against the tension in my neck
Claim me as your own
You’ll always be my king
My shield against the world
Even as I submit to your power
~
About the Creator
Alisha Wilkins ✒️🦋🖋️
I've been writing my whole life. Writing about realms to escape in, forbidden characters to fall in love with, and using writing as my muse and refuge. Recently, I've delved into the mind...mine and others. Happy Reading. Wishing you well.
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By Kelly Vedder4 days ago in Poets
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
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