Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
Cleanse the body, cleanse the face, cleanse the energy, cleanse the space.
Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
Cleanse the hair, cleanse the arms, hands and 360 air.
Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
Cleanse the voices out of the head.
Cleanse the voices so they may go to bed and to sleep.
Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
Cleanse the words from the lips and off the teeth.
Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
Cleanse the legs, cleanse the feet send the energy back to the deep of the Earth, and let them feel ease-y
Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
Cleanse the stress from the back, the chest, the belly and let them feel clean.
Cleanse cleanse cleansing me.
Cleanse cleanse cleansing me.
About the Creator
Amber Fierce
I'm a writer and author. My works is in the supernatural, and paranormal branches of horror fiction. I also do narrations, book reviews, travel journal, animation, a variety of poetry, and monologues. https://amber-fierce.ghost.io
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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