Before Sound Returns
On stillness, memory and glass
It was early.
The kind of hour where sound hasn't made up its mind
about returning.
The morning tasted of ripe stonefruit,
heat caught in the sill.
Cicadas had started early,
their song like a wire held too tight
between trees.
I was rinsing a glass.
The water ran warm from the tap—
the kind of warmth that doesn’t belong to you
but passes through,
carrying light and dust and something
you don’t yet know you’ve lost.
Outside, the air shimmered.
Hydrangeas caught blue in patches,
like bruises surfacing
on something that had forgotten pain.
The daffodils I picked before breakfast
were already tilting
toward whatever comes after yellow.
My bicycle leaned where I’d left it,
its wheels sighing
into soft ground.
Even the shadows seemed tired.
Even the light.
I stood still,
watching the sun catch in the glass,
then refract across my hand
like a child tracing something she can’t quite draw—
soft, bright, unfinished.
It made my skin glow,
not like grace,
but like fever.
There was a girl once—
quiet, pale, all elbows and mystery—
who told me sea foam was proof
that water remembered
where it had been.
She said it stayed
for the ones who watched the tide leave
and thought that meant ending.
I hadn’t remembered her in years.
But the light remembered.
It reached through the glass
like a hand,
finding her in me
before I could.
The toast popped.
The kettle began its slow steam-song.
And still I stood there,
my fingers lit up
like votives
in a church with no name.
I didn’t drink the water.
I let it settle.
Sometimes summer doesn’t ask for your attention.
It just enters you
with something warm
and irreversible.
About the Creator
Fatal Serendipity
Fatal Serendipity writes flash, micro, speculative and literary fiction, and poetry. Their work explores memory, impermanence, and the quiet fractures between grief, silence, connection and change. They linger in liminal spaces and moments.
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