A SAD POEM ABOUT HOW YOU..
CRUSHED MY HEART TO ATOMS BLOWED MY MIND TO SPACES
BROKE MY TEARS TO OCEANS
LEFT ME CRY TO EMPTY FACES
POISENED MY FLOWERS TO SILENCE
DREW MY EYES INTO VOILENCE
KILLED MY SMILE TO FRACTIONS
TURNED MY MOON TO METEORS
DROWN MY PEACE INTO WEAPONS
BURNT MY BEAUTY TO ASHES
FORCED MY BELIEFS TO AVOID
BURNT MY SOUL TO A RUIN
HAUNT ME DOWN WITH PHANTOMS
CUT ME BLEED TO SHADOWS
YOU LEFT ME DIE IN ENDLESS CHAOS..
AND EVER SCREAMING ECHOES
.. AND EVER SCREAMING ECHOES
SO PRISONED ME TO A DEMON.
SCATTERED ME INTO OBLIVION.
BUT..
FREED ME FROM YOUR VISION.
FREED ME FROM YOUR PASSION.
FREED ME FROM YOUR OBSESSION
FREED ME FROM YOUR MISSION.
I GUESS LOVE WAS NOT YOUR REASON. IT WAS NARCISSISM.
©️ WARWARA N. GOTLIBOVNA, 2025. All rights reserved.
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About the Creator
warwara
My soul has walked through fire and emerged glowing through truth seeking, relentlessly surviving. So I’m writing the chaos, and healing through words, burning illusions, and blooming from the ashes. I am raw, the real, and the revolution.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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