A Lucid Introduction
By artist & muse A.B.Reale from @thelucidmuse
A lucid introduction for a lucid artist:
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Hi.
I'm L U C I D L A I N Y and I am so happy you are HERE! I am an artist who joyfully works out of my home studio in the Kootenay mountains of Canada. I am the designer behind every lifestyle apparel piece - the painter behind every art piece - and the poet behind every rhythmic word poster. NOW, I can't wait to share my weird and dreamy art with you all! Step into the parallel of my dreams. I’ll see you on the other side.
Love to leave you... Lucid. x Lainy | lucidlainy.com | @lucidlainy | @thelucidmuse | @theluciddose | xox | [email protected] |
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A Preface to my works:
" It was time for the storm
To undo all that is
To surrender to the winds of fate
Savage winds forcing you
To go within
Allowing
All these scattered pieces
To fall in their settled pages
Trusting
The storms intention
Meaningful destruction
Rebalanced equlibrium. "
- Lucid. x. Lainy.
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Lucid lines the linger long past the last page: click here!
About the Creator
LUCID LAINY
| lucidlainy.com | @lucidlainy | @thelucidmuse | @theluciddose | BIO: I've been dreaming my whole life ... and now all I am left with is lucid lines that linger, long past the last page. Come get lost with me, I'd love to leave you, lucid.
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More stories from LUCID LAINY and writers in Poets and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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