A Collection of Micropoems
Sometimes less is more.
Distressed.
Breathing less.
Like driving in the lake.
I’m swimming in a sea of people;
A lost voice within this murder of crows.
***
I’m the villainess,
From which all evil stems.
Blame me.
Regurgitate indignation
Produced long before your time.
Surely it’s true…
Surely?
***
Her radiance regaled tales
Impossible to speak of.
A glowing effervescence.
Only attainable from
Shattering her shell.
***
Snowflakes.
A breathtaking way
The world records its
Natural state.
Microscopic manuscripts
Written by a
Natural entropy.
***
Corruption.
The parasitic invader.
Squirming in the darkness.
Feasting, growing.
Illuminate it,
Adjudicate and…
Execute.
***
About the Creator
Caitlyn Wenzel
I don't live to write, I write to live.
Poetry is what I need in order to feel human again, and again.
Let me transform the unspeakable.
I hope my words can reach you.
- Caitlyn
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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