Photography logo

Artsy Fartsy

Painters know a thing or two about photography.

By Kelsey ReichPublished 5 years ago 4 min read
Sunset over the harbour. Sydney, Australia. Kelsey Reich, 2014.

Editing starts long before a photo is ever taken. Every day, we are making thousands of edits to our lives. Choosing the turkey sandwich on brown bread instead of white, picking the darkly coloured orange instead of the lighter one with a green tinge. Choosing to wear your favourite t-shirt instead of the new sweater your grandmother gave you, the one with the too-cute fluffy white cats.

Patches. Sleeping cats make an easy subject. Kelsey Reich, date unknown.

Some people are told they have an innate gift. These are the prodigies of the art world. The ones that seem capable of turning the most mundane, most boring subject into an absolute masterpiece. I’m not a prodigy. When I was young, my first camera was one of those disposable film cameras that you had to spin the dial on until it clicked. I would go through one in a day and then beg my mom to get them printed.

Starfish at the Sydney Aquarium. Sydney, Australia. Kelsey Reich, 2014.

And then I was always so disappointed. Why wasn’t what I had seen through the camera lens what I saw in my photos? Where was the vibrancy, the beauty, the fine detailing? Why was it that everything was crooked, blurred or oddly framed?

The older I get the more my creativity has branched out from disposable cameras to drawing to writing. I love Pokemon, Digimon and Yu-Gi-Oh but I wanted monsters of my own. So, I would draw them, colouring them in with pencil crayon. For a while, I became completely obsessed with horses and designed one for every element. Fire, water, earth and so on. I don’t have any photos of those drawings so let me just tell you they were fat little ponies that I absolutely loved. My skills got better and better with practice. Anyone that thinks creativity just happens, hasn’t put the effort in moving from stickmen to realism.

Horses. Alberta, Canada. Kelsey Reich, date unknown.

My photography quality varies. Flowers, pets and zoo animals became easy subjects. Like many, I went through the phase of upping the contrast on my images. I liked the vibrant colours that would come out of it. The bright blues and greens that were missing from the days of the disposable. Today if you see a photo from me the most editing I did was cropping out my thumb or that weird shadow. I keep it basic. If I do feel the need to do more editing I use Paint, Microsoft Powerpoint, sometimes just the editing tools available on my phone.

Max. My phase of upping the contrast. Kelsey Reich, date unknown.

I’m much more likely to simply crop and post today. No filters. Job done.

If I can’t get the photo myself, I can scour the internet, books and magazines. I purchased a projector to help me quickly get down the details to further improve my drawing skills. The projector in its own right is a way of cropping images. The base of it is only 5x5 inches. When I’m getting ready to create a new painting or drawing I follow a few tips which can apply to photography and design just as easily.

Turtle photoshoot (these were wildlife advocates for their species, please don't handle wild animals for the purpose of a good photo). Ontario, Canada. Kelsey Reich, 2019.

1. Experiment: You won’t know what is going to work best unless you try a number of different ideas. Instead of going for the first idea that pops in your head scribble out a number of quick drafts. Experiment with different angles, different cropping. Try out the filters, different text, multiple layouts.

Experimenting with Disney characters using a limited colour palette. Acrylic on board. Kelsey Reich, 2012.

2. Colour Theory: When I was starting to learn how to paint the best advice my teacher ever gave me was to start simple. Start with two colours. Black and white or two contrasting colours. As you grow, start expanding. Three colours. Try mixing your own—grayscale then the full spectrum using red, blue and yellow. Knowing colour theory will really help you figure out what pops.

Bullseye. Found objects. Kelsey Reich, 2013.

3. Negative Space: So you have your subject perfectly framed but what about all that space around your subject? What is happening in the background and the foreground? Are there layers of perspective or is it a flat two dimensional image? Is your subject a small spot on the canvas or should it be zoomed way in until there is no negative space?

Apple blossom. Kelsey Reich, date unknown.

4. Rule of Thirds: I always keep this rule in the back of my mind. Basically, divide your paper or working surface into a three-by-three grid. Now, use this grid when decided how to place your objects. The intersecting lines are the focal points of any image. So instead of centering your subject, try placing them on one of those intersecting lines.

A framed pencil drawing of Patches the sleeping cat. Kelsey Reich, date unknown.

Of course, I am not a professional photographer. I’m a painter and creative writer, future ecologist-in-training. And like everyone else except for my great uncle, instead of a disposable camera I use my cell phone now.

Okay, yes, you are right. I can’t capture the feel of the insanely beautiful rocky mountains. I can’t get the perfect picture of that moose I saw in the field one day. There is definitely no way I’m going to get an amazing shot of a bird perched on the top of a tree. But at least I can separate myself from the lens and still enjoy all of it in the moment.

And maybe paint a few of them too. Abstract or not.

Great horned owl painting. Kelsey Reich, 2020.

Call it artsy fartsy if you want. Styles change and so do preferences. Sometimes it’s better, sometimes it’s worse. I don’t expect to go viral on Vocal or Twitter either way. If you still want to go for that perfect shot here are my tips:

1. Take LOTS of photos. One of them is bound to be something worthwhile.

2. Use the equipment within your means. I don’t have the money for a fancy camera so I don’t have one.

3. Play to your strengths. I can’t get the fantastic bird photo but I can find a similar photo and create a drawing or painting with my own unique touch.

4. And remember the four ideas I mentioned earlier: the rule of thirds, negative space, colour theory and, most importantly, keep experimenting!

Sunrise over Bark Lake. Ontario, Canada. Kelsey Reich, 2019.

____________

I hope you enjoyed my rant! Please support my work with a heart, maybe a tip, and check out my other articles! Let me know what you want to learn about next on FB, Twitter, or Insta @akelseyreich.

Everything is connected. Written by Kelsey Reich on March 4/2021 in Ontario, Canada.

art

About the Creator

Kelsey Reich

🏳️‍🌈 Life-long learner, artist, creative writer, and future ecologist currently living in Ontario.

Find me on Instagram, and buy me a coffee @akelseyreich!

Your support is appreciated!

Reader insights

Be the first to share your insights about this piece.

How does it work?

Add your insights

Comments

There are no comments for this story

Be the first to respond and start the conversation.

Sign in to comment

    Find us on social media

    Miscellaneous links

    • Explore
    • Contact
    • Privacy Policy
    • Terms of Use
    • Support

    © 2026 Creatd, Inc. All Rights Reserved.