Stop Wasting Your Potential (This is Your Sign)
The Day I Chose the Uncarved Block

The statue of the angel was already inside the marble. I just had to remove the excess stone.
At least, that’s what the old art teacher told our class on a field trip in the eighth grade. He stood before a block of pristine white Carrara marble, a heavy point chisel in his hand. “The masterpiece isn’t created,” he said, his voice echoing in the dusty studio. “It’s revealed. Every strike of this hammer is a decision. Every chip that falls is a piece of what I am not, making room for what I am meant to be.”
I remember clutching my notebook, feeling a strange, profound resonance. I understood the marble.
For twenty years, I was that block of marble.
I wasn’t a failure by any standard measure. I had a decent job in a grey cubicle, inputting data into a system that seemed as endless as it was meaningless. I paid my bills on time. I scrolled through my phone. I told myself that one day, when the time was right, I would start writing that novel. I’d get in shape. I’d learn the guitar gathering dust in the corner. I had a universe of potential buzzing inside me, a silent, screaming angel trapped in stone.
My potential was my comfort and my curse. It was a future promise that excused my present inaction. “I could do that,” I’d say, and the statement itself felt like an accomplishment. But “could” is a ghost. It haunts you without ever touching you.
The breaking point came on a Tuesday. It was raining. I was 38 years old, staring at a spreadsheet whose numbers had long since blurred into a grey smear. My boss walked by and dropped another file on my desk. “You’re reliable, Alex,” he said. It was meant as a compliment. It felt like an epitaph. Reliable. A perfectly shaped, smooth, unremarkable block of stone. Useful, but un-carved.

That night, I didn’t go home. I drove to the old part of the city, to that same art studio, which was now a museum. I stood in the gallery, and there it was: the angel. The teacher from my childhood had finished it. It was magnificent, with wings swept back as if caught in a divine wind, its face a mixture of serenity and immense power.
And next to it, in a small glass case, was his original tool. The point chisel. It was smaller than I remembered, simple and cold. Below it was a quote from the artist, Michelangelo, that the teacher had lived by: “The sculpture is already complete within the marble block before I start my work. It is already there, I just have to chisel away the superfluous material.”
I felt a physical jolt. The superfluous material. That was my life. It wasn’t that I was a bad person. I was just… excess. The fear was superfluous. The procrastination was superfluous. The endless consumption of other people’s lives on screens was superfluous. The need for perfect conditions was superfluous. All of it was stone that needed to fall away.
The next morning, I didn’t open my spreadsheet. I opened a blank document. The cursor blinked, a tiny, insistent hammer. My first strike.
It was terrible. The words were clumsy, the sentences awkward. It felt like I was hacking at the stone with a butter knife. I wanted to stop. The voice of doubt, my inner critic that had kept me safe and unchallenged for decades, screamed that I was ruining the block. “At least it was whole before! Now it’s just a mess!”
But I remembered the chisel. I remembered that the mess is necessary. The chaos is part of the process. You cannot reveal the form without first creating the debris.
So I showed up the next day. And the next. I chiseled for one hour every morning before work. Some days, a beautiful sentence would emerge, a smooth curve of the angel’s wing. Other days, I just chipped away at administrative tasks—research, grammar, deleting whole paragraphs that weren’t serving the story. It was all part of removing the excess.
I started applying the same principle elsewhere. I chiseled away thirty minutes of scrolling for thirty minutes of walking. I chiseled away one takeout meal for one simple, home-cooked dinner. I wasn’t “building a new life.” I was revealing the one that had always been inside me, buried under a mountain of fear and inertia.
A year later, I typed “The End.” I had done it. I had written a novel. It wasn’t a bestseller (yet), but it was real. It existed in the world. It was a part of my angel, finally visible.

I look at my life now, five years after that rainy Tuesday. I am not a famous author, but I am a working one. I am not a fitness model, but I am strong and healthy. The guitar in the corner is no longer dusty; it’s my evening ritual.
The change wasn’t about motivation. It was about decision. It was about finally accepting that the potential within me wasn’t a future event; it was a present-day responsibility. That block of marble wasn’t going to carve itself. The angel would remain imprisoned forever unless I had the courage to pick up the hammer and make the first, terrifying strike.
This is your sign. That buzzing in your soul? That restless feeling that there must be more? That is the angel. It is real, and it is waiting. The life you are meant to live is already inside you, buried under the superfluous. The fear, the procrastination, the distractions—it’s all just excess stone.
Stop admiring the un-carved block. Stop wasting your potential. Pick up your chisel. Your first strike begins now.
Moral of the Story:
Your potential is not a future promise, but a present-day responsibility. The life you desire is trapped inside the stone of your fear and inaction. You must have the courage to pick up the tools and chip it away, one deliberate strike at a time.
About the Creator
The 9x Fawdi
Dark Science Of Society — welcome to The 9x Fawdi’s world.




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