ready for my nightbitch moment
how a "horror/comedy" movie led me to reach for creating artistic goals

Note: I am referring mostly to Nightbitch the movie, though I do pull quotes from the novel by Rachel Yoder.
“She had once been a girl, then a woman, a bride, expectant, a mother, and now she would be this, whatever this was.”
Nightbitch. What the fuck is that? I remember thinking that after seeing a random Facebook post advertising that the movie was now on Disney+. I scanned through the comments, a lot of laughter emojis and comments that Disney was no longer “kid friendly”. How strange, I thought, and then thought nothing more of it until a post on r/Mommit caught my eye and I had to watch it.
After reading the synopsis I felt even more compelled to watch such a mysterious movie (how do dogs connect to the main character?): “An artist who pauses her career to be a stay-at-home mom”… That was all I needed.
During a bout of food poisoning misery, I began watching the movie on my cracked iPad while either trying to fall asleep while my newborn daughter slept in her bassinet or while nursing her. In between unrestful naps, nursing, changing diapers, tending to my toddler, rushed trips to the bathroom, groaning in agony from gastrointestinal cramping, and hating my life, I managed to watch the movie and it stuck with me, to the point where I decided to read the novel after.
While the movie and novel differed plot-wise, both were composed of key quotes and moments I connected with. Several parts validated my feelings as a stay-at-home mom and artist who suddenly felt lost with her sudden status as a mother. Not that my career revolved around art itself– no, I had merely been a commercial embroidery machine operator at a small business- nothing special at all. However, the birth of my sunshine baby sparked an immense amount of creativity. I suspended myself as best as I could in the local Artist Association art scene and group gallery exhibitions in a town over an hour away.
There were so many ideas that revolved around in my head but I struggled to bring my thoughts into fruition, struggled to string together the strands of embroidery floss soaked into fabric or acrylic paints dabbed onto canvas into tangibility. And with the sudden change of my husband’s career that sent us suddenly from the Midwest to down South, I found myself lost trying to navigate this new and unfamiliar place. There was no Artist Association to join freely, and instead, I found myself trying to find fellow mothers to hang out and connect with.
But it was hard, and now I still find myself struggling with the title of being an "artist". I first gave up my art studio for it to become my son's room, last year I canceled my Adobe Creative Cloud membership because of the price, I also gave up my goal of entering a UK embroidery competition, and I haven’t completed a personal embroidery piece since the move in 2023.

“How many generations of women had delayed their greatness only to have time extinguish it completely? How many women had run out of time while the men didn’t know what to do with theirs? And what a mean trick to call such things holy or selfless. How evil to praise women for giving up each and every dream.”
My mother was an artist. That talent slipped between her fingers upon having my brother and eight years later when she gave birth to me. I liked to think that she passed her artistic ability and creativity down to me and I promised myself I would utilize the gift given to me to make her proud.
That didn’t happen.
Then I had a child and almost three years later I had another one.
I found myself looking at artist call opportunities pondering about entering, weighing the possibility of creating and finishing a piece to submit in time, knowing that was a stretch. That to have a goal like that itself was absurd, and quite frankly, impossible.

“—but there is not room for the child within the sun-washed studio. Or, rather, there is not room for art within my house with my child. It is as if all my dreams have been reset. The walls are blank, and with them I am blank, too.”
I connected with Nightbitch and her struggle to get her son to sleep at night. Her monologue of fucking it all up by “spoiling” her child to sleep, resonated with my own guilty feelings. I had messed up any possibility of getting free time by getting pregnant and giving up on putting my son to sleep in his bed alone to combat my nausea. Now he was dependent on sleeping in bed with me, and during nap times I was sleeping through them with him.
There was no time.
The monologues of the movie- the raw honesty and awkwardness of the situations at hand, of what one wants to say, but they fail to do so drew me in. Also, the monotony introduced to us with the blending of banal days as a homemaker and going to story time (or “Book Babies”) and seeing the hesitance and yearning in the eyes of other mothers. The foreignness of our “new” postpartum bodies. The sudden transition of our feelings differing towards our pet that had come first before our child. The disconnect from the art world while our friends or past peers are still suspended in that world. The animalistic nature of giving birth, the transition of being a mother and doing anything to protect the life created, but also the barrage of hormones and everything becoming different after giving birth. That transition of trying to figure everything out, while also losing yourself and struggling to find who you now are.
I’ve had goals I’ve given up and I’ve compared myself to social media moms who still manage to create art after having a child.
I’ve felt like a failure.
I just haven’t tried hard enough. Never had, maybe never will. It’s not like I tried hard enough before having a child. But that passion awakened with the birth of my son whose life threw me into an existential crisis.
“You’ll get time one day when they’re older,” a judge told me at a gallery opening for the local artists association. We stood in front of an abstract embroidery piece (La vie en rose) I had completed throughout my first pregnancy.
But I didn't want to wait and still don't, because something yearns inside of me now.

“It’s almost as if having a child allows a woman to see how much infinite potential there is, allows her to see infinity itself. (Am I making any sense?) It’s almost as if having a child does not sate a deep yearning but instead compounds it.”
I’ve given up on half-embroidered hoops, and unpinned half-draped garments on my dress form, the sketches inside my sketchbook suddenly seemed impossible for me to complete- that my skills were too novice and clumsy along with my struggle to render 2D into 3D.
Nightbitch opened something up inside of me. In the movie, the mother creates her own solo show composed of large paintings of fellow mothers, taxidermied animals, and strung-up golden animal skeletons. I was more compelled by this, not so much by the performance art described in the book, from which the movie greatly differed. Nightbitch in the novel also managed time to make art when her husband was home, rather than separate from her husband as portrayed in the movie.

But I want that moment. I crave it.
The goal is not so much to have a solo show, for God knows that’s another unobtainable goal for a year, but to finally submit an art piece to a local show. To take another step to get myself out there, to maybe prove to myself that I am not like my own mother, and I still “got it”.
This summer I took pictures of the clouds from my backyard, the colors and blobs reminded me of how easy it seemed to paint them with Bob Ross techniques. Deep dark blues to pastel pinky purplish puffs, to the illumination of cloud edges with the setting sun’s golden light. I yearned to paint them, yearned for the joy of painting– despite my impartial feelings toward the medium, instead, many of my tubes of Golden acrylics from design school were mixed into muddy impressive abstract messes against project paper and cardboard by my son (did he get some of my art “talent”?). When I find myself picking up a paintbrush, I just can’t fathom creating something realistic. After all, the last painted piece, a “plein air” piece had looked so elementary on the tiny canvas compared to the other paintings that had been submitted into the event. And I had been one of the only ones to not receive an award. It had been quite embarrassing despite my son’s excitement in my arms and I had cried while trying to strap him in his car seat to leave right after the placed winners were announced.
But this time will be different.
I have the clouds, a picture I took back in August, and I have my rainbow baby, a picture taken on Christmas Day in my brother’s arms where her pale hand exudes “accidental Renaissance” that I want to combine along with a fairly recent picture of pale pinkish-white flowers for an overlay.
It is a personal project I have developed that I feel like will depict my connection to my daughter and the guilt I felt throughout my pregnancy dealing with antenatal depression. It is something I owe to her before I move on to something that deals with my son.
Maybe one day I can obtain the goal of having my own solo show that depicts my struggles of motherhood. Though, I can only take one step at a time.
I have begun the prep with a set of 3 20x20 canvases from JOANN, the thickest one saved for me while the thinner two will be for my son to paint as he pleases on them. I write this while sitting in a resort bedroom in Florida with my sleeping two-month-old in my lap. When I get home back to South Carolina I’m going to make time to complete this and not feel guilty for wanting time to myself. As quoted from the novel:
“I need alone time, she explained that first weekend. Time…to myself.”
Another goal in of itself.
About the Creator
Esmoore Shurpit
I like writing bad stories.



Comments (1)
This is excellent, and I wish you the best of luck!