The Director Of DEADPOOL 2 Is In Talks To Join Delta Squad As David Leitch Boards Netflix's GEARS OF WAR Movie

Leitch, known for his high-octane style in films like Atomic Blonde, Deadpool 2, Bullet Train, and the recent The Fall Guy, brings a proven track record in stylish, stunt-driven filmmaking to the gritty sci-fi world of the beloved video game series.

Seventeen Years. One Franchise. And a Studio Finally Ready to Pull the Trigger.

This is not just another video game adaptation.

This is Gears of War—a saga forged in gunmetal and grit. A story where survival means getting your hands bloody and your soul heavier. For years, Hollywood danced around it. Whispered about it. Shelved it. Dusted it off. Then shelved it again.

Until now.

Netflix has locked and loaded.

And they’ve found their man.

David Leitch—The High Priest of Controlled Chaos

David Leitch is not a director. He’s a choreographer of carnage. A conductor of kinetic poetry. From Atomic Blonde to Deadpool 2, from Bullet Train to The Fall Guy—the man has made a career of turning mayhem into art.

Now, he’s bringing that same energy to Gears of War.

The trigger has been pulled.

The only question is—can the bullet outrun seventeen years of silence?

Delta Squad, Assemble (But Not Just Yet)

Hold your chainsaws, COG fans.

Leitch is still finishing his heist thriller How to Rob a Bank for Amazon MGM, which drops in September 2026. Until then, Gears will have to wait in the shadows.

But shadows are where Gears was born. In the underbelly of Sera. Beneath the boots of humanity. Among the Locust.

This delay? It’s not a setback. It’s a chambering of the round.

When It Fires—It Has to Hit. Hard.

A Bloody, Beautiful History of “Almost”

Let’s rewind the tape.

2007: New Line Cinema grabs the rights. Len Wiseman (Underworld) is attached. Nothing.

2016: Universal tries again. Shane Salerno (Armageddon) starts writing. Silence.

2022: Netflix steps in. Acquires the rights. Breathes life into a dying dream.

Now, it’s 2025. And finally—finally—we’re looking at movement.

Not just a film.

But a franchise.

Netflix wants it all:

✅ A live-action feature.

✅ An adult animated series.

✅ A potential cinematic universe soaked in blood, brotherhood, and boomshots.

The World of Sera: Beauty Meets Brutality

This is no ordinary sci-fi playground.

Sera is a world choking on war. Ruled by fear. Devoured from beneath by the Locust Horde. The only thing standing between extinction and survival?

Delta Squad.

At the center of that squad?

A soldier who grunts more than he speaks.

A man with a jawline carved from bedrock.

A warrior named Marcus Fenix.

And guess who’s been lobbying for that role louder than a lancer revving up?

Dave Bautista.

The man is Marcus. And he’s already suited up—digitally—in Gears 5.

This isn’t casting. This is prophecy.

The Writer With the Pen of War

Behind the keyboard is Jon Spaihts, the mind behind Dune and Doctor Strange. When asked about Gears, Spaihts didn’t mince words:

“It wants to be cinema.”

That’s it.

Not can be.

Not should be.

It wants to be.

Like the franchise itself has been screaming at the industry for nearly two decades:

“Make me matter.”

The Takeaway: This Is Not a Game

This is legacy.

This is weight.

This is the blood-slicked poetry of war wrapped in a $150 million Netflix budget.

Leitch is not here to direct a movie.

He’s here to liberate a story.

One chainsaw bayonet at a time.

Final Thought

Seventeen years. Two studios. One streaming giant.

Now, Gears of War stands at the edge of the abyss.

And with David Leitch at the helm, the only way forward...

is through the fire.

Stay tuned. Because the next thing we’ll hear?

Casting.

And if the universe is listening, it better come with four words:

“Welcome to Delta Squad.”