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The weight of a blank page

Problems of writers

By Saroj Kumar SenapatiPublished 9 months ago 4 min read

The Weight of a Blank Page

Arjun stared at his laptop screen, the cursor blinking like a metronome counting his indecision. His editor had given him a simple task: write a feature for the magazine’s monthly issue. No theme, no constraints—just "write something brilliant."

But the openness of the assignment felt more like a trap than an opportunity.

He drummed his fingers on his desk, scanning the cluttered room for an idea to latch onto. His shelves, lined with books about space, history, philosophy, psychology, and literature, mocked him. You’ve read so much. Surely, there’s something worth writing about?

His fingers hovered over the keyboard, ready to strike, but no words came.

The silence in the room was thick with unspoken ideas—stories that danced on the edge of his mind but refused to materialize on the page. He let out a sigh and leaned back in his chair, rubbing his temples. The deadline wasn’t tomorrow, but if he kept stalling, it would feel like it was.

He reached for his coffee mug—cold. Even that felt symbolic, as if the passion for writing had chilled along with the drink he hadn’t touched in hours.

Frustration welled up inside him, bubbling beneath the surface like an unwritten thought begging to escape. He had been here before, countless times, yet the anxiety of choosing the wrong topic never lessened.

The Search for the Right Story

The problem wasn’t that Arjun lacked ideas. It was that he had too many.

He could write a hard-hitting piece about the slow disappearance of local bookstores. Or maybe an essay on the creative burnout plaguing writers. Perhaps a travel piece about a forgotten town with untold stories.

Yet, for every idea that sparked, a voice in his head dismissed it.

Too cliché. Too niche. Too overdone.

The weight of perfectionism bore down on him, pressing into his chest like an unseen force.

Frustrated, he paced the room. He needed something fresh, something that would make readers lean in, something that felt urgent.

His phone buzzed—a message from Meera, his journalist friend.

"What are you working on?"

"Trying to pick a topic," he replied.

She sent a laughing emoji. "The eternal struggle. What’s in the running?"

He listed his top three ideas, but even as he typed them, they felt weak.

"Good picks," she replied. "But which one makes your heart race?"

He frowned. None of them did. They were smart, timely, thoughtful—but none of them were thrilling.

It wasn’t enough to be intelligent. A story had to feel alive.

As he sat there, staring at the screen, his mind wandered back to his earliest days as a writer—when inspiration came easily, when ideas felt boundless. Was it nostalgia clouding his mind now, or had he simply lost touch with the reason he had started writing in the first place?

The Unexpected Inspiration

Arjun sighed and stepped onto his apartment balcony, the warm evening air washing over him. Below, the city moved at its usual restless pace. He watched people hurry home, chatting, arguing, laughing, lost in their own worlds.

Then, he spotted something peculiar.

An elderly man on the sidewalk, cradling a stack of handwritten pages, frantic as the wind picked up and scattered them.

Papers fluttered into the street. Passersby barely noticed as they hurried along.

Arjun, driven by impulse, rushed down.

The man was scrambling, collecting pages, mumbling under his breath. Arjun grabbed several sheets that had landed near a lamppost and handed them over.

“Thank you,” the man panted, his voice hoarse yet filled with urgency.

Arjun glanced at the pages. Handwritten stories.

“You’re a writer?”

The man nodded. “Trying to be. But nobody reads these anymore.”

His voice carried both resignation and hope—a contradiction Arjun knew too well.

Arjun flipped through the delicate papers, eyes catching glimpses of handwritten words—tales of lost cities, forgotten voices, invisible struggles.

He felt something shift.

His mind, which had been clouded with indecision all day, suddenly felt clear.

The best stories weren’t the ones forced into existence. They were the ones that begged to be told.

The Right Story Finds You

Back in his apartment, his fingers finally moved across the keyboard with ease.

The article wasn’t about bookstores disappearing. It wasn’t about creative burnout. It wasn’t about a forgotten town.

It was about a writer fighting for his words to be seen.

About the overlooked stories carried by everyday people.

About the quiet voices lost in the noise of a rushing world.

As he typed, he imagined the elderly writer, clutching his papers with the same determination Arjun had felt when he first started writing.

He thought about all the people who had stories buried deep within them but lacked the means or the audience to share them.

Maybe, he realized, the best stories weren’t about things that were trendy or flashy.

Maybe the best stories were the ones waiting for someone to notice them.

And just like that, the blank page wasn’t terrifying anymore.

The Heart of Writing

Days later, his article was published.

He hadn’t expected much—after all, it wasn’t a sensational exposé or a viral piece. It was just an article about an old man, his stories, and the quiet fight writers undertake every day.

But then the messages started pouring in.

Emails from aspiring writers thanking him for voicing something they had struggled with.

Comments from readers who had never thought about the struggle of storytelling before but now saw it with fresh eyes.

And then, an unexpected one—an email from the elderly writer himself.

"You saw me when others didn’t. That means everything."

Arjun stared at the screen, his chest tightening with something unspoken.

The right story wasn’t always loud.

Sometimes, it whispered.

And for the first time in a long while, Arjun truly listened.

Selecting a topic as a writer isn’t just about choosing what’s trending—it’s about finding the story that grips you, the one that won’t let go until it’s told.

humanity

About the Creator

Saroj Kumar Senapati

I am a graduate Mechanical Engineer with 45 years of experience. I was mostly engaged in aero industry and promoting and developing micro, small and medium business and industrial enterprises in India.

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