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The Girl Who Painted Doors

In a quiet village, a girl with a paintbrush opened more than just imaginations. She opened worlds.

By Muhammad Hamza SafiPublished 8 months ago 2 min read

Mina had always been strange.

In a village where everyone lived and died without ever leaving, she spoke of cities in the sky and oceans made of light. While others picked apples and swept porches, Mina painted. Not portraits or pretty scenery. She painted doors.

And then, one day, the doors opened.

It started on the first day of spring.

Mina was thirteen. She woke from a dream where a voice whispered, "Not all doors are made to be walked through. Some are made to set you free."

She ran to the back of the old library—her secret canvas. The stone wall there had been forgotten long ago. She brought her paints: colors no one else seemed to see, like starlight purple and memory grey. She painted a door, tall and arched, with vines carved into its frame.

When she stepped back, it glowed.

She blinked.

The door was real.

She reached out. It was warm.

Mina turned the painted handle and stepped through.

She was in a garden of music.

Not musical plants—music as plants. Notes grew from the ground like flowers. Trees rang in soft chords when the wind blew. A path of harp strings hummed beneath her feet.

She laughed and twirled.

It was only minutes, but when she stepped back through the door, the sun had already set in her own world.

She ran home, glowing with joy, but said nothing.

Not yet.

Over the next weeks, Mina painted more doors.

A door in the bakery led to a mountain where clouds were stairs.

A door in the schoolhouse opened to a forest where books grew on trees, and reading one whispered the story into your mind.

A door in the alley behind the tea shop revealed a library with shelves that moved, rearranging themselves to show you the exact book your soul needed.

The villagers noticed the doors.

But they didn’t understand.

They said, “Mina is just odd,” or “It’s just a trick of the light.” Only a few dared step through. Most didn’t return. The ones who did—changed.

One boy stopped stuttering.

An old woman sang again after thirty years of silence.

A man who had lost all hope built a garden of stars in his backyard.

Still, others grew afraid.

“What if she opens a door to something evil?” they whispered. “What if the worlds follow her back?”

One night, the mayor ordered the painted doors to be destroyed.

When Mina came the next day, her doors were gone.

The stone wall behind the library was scraped clean.

She cried.

Not for herself. For the doors. For the people who never walked through them.

But Mina was stubborn.

She walked to the edge of the village where no one ever went, where the forest grew wild and deep.

She found an ancient oak and began to paint one last door.

This time, the door was simple. No vines. No lights. Just wood and shadow.

But the handle was shaped like a keyhole.

When she finished, she sat before it and whispered, “Let this one be for those who believe, even if they’re scared.”

Then she stepped through.

And vanished.

Years passed.

The village forgot her, mostly.

Until a new girl arrived, lost and curious.

She wandered through the forest and found the painted door in the oak tree.

It was dusty but whole.

She knocked.

It opened.

She stepped inside.

And Mina was there.

Still thirteen. Still painting.

“You found it,” she smiled. “Another one who believes.”

art

About the Creator

Muhammad Hamza Safi

Hi, I'm Muhammad Hamza Safi — a writer exploring education, youth culture, and the impact of tech and social media on our lives. I share real stories, digital trends, and thought-provoking takes on the world we’re shaping.

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