The Silent Room (Chapter One: The House That Breathes)
Jonathan visits the old Collins mansion and finds Edward dead in a perfectly silent study, with no signs of struggle.

No one noticed the house at the end of Blackwood Lane until it decided to be noticed.
For years, it stood there in perfect stillness, its windows dark, its gates rusted shut. People passed it every day and forgot it the moment it slipped out of sight. That was the rule of the house: if it did not want to be remembered, it wasn’t.
Until the night it broke that rule.
At exactly 9:47 p.m., a single light turned on in the third-floor window.
Mrs. Holloway, who lived across the street, would later swear the light flickered like a heartbeat—on, off, on again—before settling into a dull, watching glow. She told the police she felt cold the moment she saw it, even though the summer air was warm.
Inside the house, Jonathan Reed stood alone in the silent hallway, listening to a sound he could not explain.
It wasn’t footsteps.
It wasn’t breathing.
It was something softer.
A slow, rhythmic pressure in the walls, as if the house itself was inhaling.
Jonathan told himself it was old pipes, old wood, old imagination. The kind of lies people tell themselves when they are afraid of sounding foolish. He adjusted the strap of his bag and took another step forward.
The hallway was longer than it should have been.
The door at the far end—the study—seemed farther away each time he blinked. The light above him flickered once, then stabilized, casting his shadow in strange, stretched shapes that didn’t quite follow his movements.
“Edward?” Jonathan called.
His voice sounded wrong here. Too thin. Like the house was swallowing parts of it before it could travel.
Edward Collins had invited him urgently. “I found something,” he had said over the phone. “Something you need to see. Come tonight. Don’t tell anyone.”
Edward always loved secrets. Jonathan had laughed it off then. He wasn’t laughing now.
The study door was slightly open.
A faint smell drifted out—not blood, not decay, but something colder. Like metal left in the rain. Jonathan’s hand trembled as he pushed the door wider.
Edward was inside.
He sat at his desk, perfectly upright, as if frozen mid-thought. His eyes were open, staring at the wall, unblinking. A small desk lamp cast harsh shadows across his face, making his expression look unfinished, like it had been interrupted.
“Edward?” Jonathan stepped closer.
No response.
There were no visible wounds. No overturned furniture. No signs of a fight. The room was neat, painfully so. Papers stacked. Books aligned. A clock ticking loudly on the wall, each second pressing against Jonathan’s skull.
Tick.
Tick.
Tick.
Then Jonathan noticed the clock was wrong.
It read 10:15 p.m.
Jonathan checked his phone.
9:52 p.m.
The ticking grew louder.
Edward’s watch lay on the desk beside him, its glass cracked, its hands frozen at the same time as the clock.
10:15.
A chill crawled up Jonathan’s spine.
He reached out and gently touched Edward’s shoulder.
It was cold.
Too cold.
Jonathan stumbled backward, knocking into the bookshelf. The sound echoed unnaturally, bouncing off the walls and returning to him distorted, like a whisper repeating itself.
That was when the door closed.
Not slammed.
Not rushed.
It closed slowly, deliberately, with a soft click that felt final.
Jonathan spun around, heart pounding. The handle didn’t move when he grabbed it. He pulled harder. Nothing. The door felt solid, sealed, as if it had never been meant to open again.
“Stop,” he whispered, unsure who he was speaking to.
The light flickered.
For a moment, Edward’s reflection in the glass cabinet shifted.
Jonathan froze.
The reflection smiled.
Edward’s real face didn’t move. His reflection did.
Jonathan squeezed his eyes shut, then opened them again. The smile was gone. The reflection normal. His breath came out shaky, uneven.
“You’re imagining it,” he muttered.
The ticking stopped.
Silence pressed in from all sides, thick and heavy. Then, from somewhere inside the walls, a voice began to speak.
Not aloud.
Inside his head.
You’re late.
Jonathan clutched his temples. “This isn’t real.”
He waited.
The desk lamp flickered, and for a brief second, Edward’s head tilted slightly to the side.
Jonathan screamed.
The house answered.
Every wall groaned at once, a deep, echoing sound like satisfaction. The floor vibrated beneath his feet. The air felt tighter, harder to breathe.
He didn’t want to die alone, the voice whispered.
Jonathan backed away until he hit the desk. His eyes darted around the room, searching for something—anything—that made sense.
His gaze fell on a folder half-hidden beneath Edward’s hand.
With shaking fingers, Jonathan pulled it free.
Inside were photographs.
Not of places.
Of people.
All standing inside this house.
Anna Collins.
Mark Collins.
Sarah Blake.
Thomas Reed.
And one final photo.
Jonathan Reed.
On the back of the photo, written in Edward’s handwriting, were three words:
It chooses us.
The walls exhaled.
The light went out.
And somewhere deep inside the house, something began to move.



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